Feature articles:
Guys and Dolls: The male influences on ADP. by Alex Ramon and
Maureen Paley
Given that the primary concern of [American Doll Posse]
is the exploration of femininity in all its diverse aspects, Tori's
admission that she went to "male rock Gods" such as The Beatles,
Queen, Led Zeppelin, The Damned, Elton John, Leonard Cohen, The Doors,
The Sex Pistols and Jimi Hendrix for inspiration may seem somewhat
surprising. But her decision to do so can perhaps be best understood
as an attempt to fuse male and female essences on ADP, and to bring
the influence of rock's "male Gods" into sonic balance with that of
the "female Gods"--Artemis, Athena, Aphrodite, Persephone,
Demeter--who provided the inspiration for the five personas employed
throughout the album.
A Whole Lotta Love: Led Zeppelin knows what we need. by Missy Smith
As her ears were seduced by Plant's androgynous wails and Jimmy
Page's intricate blues-based guitar playing, Tori knew Zeppelin was
the savior she was looking for. After that first, life-altering
listen, Tori began studying Page's playing and phrasing and started
bringing his fusion of classical and contemporary music to the piano.
Around the World in 44 Years: Tori's Amos and the Impact of Place,
Part 1. by Elyssa Pachico
Tori's muse may thrive on a change of
scenery, but when examining her journey from D.C. piano bar girl to
current M.I.L.F., it's clear she has never underestimated the impact
that geographical location has on her work. Whether it comes to
creating a city's set list or recording an album, local color has
consistently provided Tori with artistic inspiration, while also
informing her own sense of herself as a chronicler of history.
Concert Photography by Jennie Alibasic
Some lights are better than
others in helping you get a good shot. For instance, blue, purple and
white lights often help bring great clarity to the faces of the people
on stage while still letting them have some natural colors left.
Running through the Garden of "Butterfly": Interpreting lyrics with
Tori's fans. by Renee Roberson
"Butterfly" is a gorgeous ballad,
but, per Tori's unique style, it contains some unsettling images and
lyrics that evoke strong emotions in those who listen to it.
Porn Stars and Poetry: A Close-Up on "Amber Waves." by Lynne
Stahl
Scarlet's Amber is [like the Boogie Nights character]
benumbed and helpless to effectively change. The song's "healing
machine," presumably a director's video camera, turns out to be an
empty promise, and Amber resignedly admits that "there's not a lot/of
me/left anymore" and acknowledges her inability to escape her shell of
a life with the phrase "just leave it alone."
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